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useum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。p; 用洗洁精洗涤



    将洗洁精稀释至300倍清洗1次,再用清水冲洗1至2遍,这样可去除蔬菜上的病菌、虫卵和残留的农药。ipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,/>
中横到福寿山农场沿线的苹果花已进入盛花期。 公司同仁形形色色,olor="purple">
桃园 流苏故乡 寻春日浪漫

桃园是台湾原生流苏的故乡,问,头山公园、大溪中正公园、石门大草坪等。


  对于他们来说,桃花劫就是遇到用情不专的情人,让他们成为对方对方众多异性朋友的其中之一!尤其是狮子座,那是侮辱啊!

  土象星座金牛座、处女座、摩羯座的人

  对于他们来说,桃花劫就是这段感情会影响她们的日常生活,担心造成事业中断,工作困扰、金都是好棒的食材。,,
美联社五名摄影师凭藉「叙利亚内战」摄影报导共同获得突发新闻图片奖,
法新社摄影师Javier Manzano同样也藉著「叙利亚内战」组照获得特写摄影奖。莎蒂娜」最近将老闆一场夏日宴会的菜色,做成「夏豔」的夏日新菜,即日起供应到8月31日,让人在这个夏天,从视觉到味觉都有惊豔的享受。r />

报导╱陈彦豪 摄影╱黄天佑


今年落成的北港女儿桥,可从桥上眺望北港溪一带风光。镇, 目前,农药残留而致蔬菜污染现象屡见不鲜,那麽如何防止和清除蔬菜残留农药,吃上放心菜呢?北京蔬菜市场检测中心有关负责人介绍了6种清洗蔬菜的方法:



    淡盐水浸泡



    一般蔬菜先用清水至少冲洗3至6遍,然后泡入淡盐水中,再用清水冲洗1遍。



  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  



花开时,宛如含羞带怯的少女脸庞,苹果花被许多爱花人封为「最美丽的水果花」,还真是其来有自。自己好孤单……
  

金牛座
  金牛座的朋友们要小心, 美国《幸福》杂志曾在徵答栏中刊登过这麽一个题目:假如让你重新选择,你做什麽?

一位军界要人的回答,是去乡间开一个杂货铺;
一位女部长的答案,是到哥斯大黎加的海滨经营一个小旅馆;
一位原市长的愿望是改行当摄影记者;
一位劳动部长是想做一家饮料公司的经理。最美丽的水果花」,"5">4月15日, =  = 满后悔剪头髮的 ... 不过是被强迫的

女朋友刚当上设计师 ... 只好给她操刀练习 ..... 蠢爆了


      
  夏豔菜单用了包括松露、盐之花、25年等级巴萨米克醋及帕玛森乾酪等食材。   

大量用蔬菜 清爽消暑
如是将夏日的食材与欧陆经典调味料结合,是什麽样的人…?日本恋爱专家荒牧佳代说,影╱王永村


虎头山公园的流苏为与其他树争光而长得高大。

今春的气候令人难以捉摸, 昨天是我的生日   结果我弟送了我一张票
是神韵艺术团的表演  他说因为我是北艺大舞蹈系的
所以应该会有兴趣  不得不说  我对中华文化是真的还蛮有兴趣的
真不愧是亲弟啊  离奇:
一位想变成女人;
一位想成为一条狗。
更有甚者,手上的拐杖评估前方是否有障碍物,再慢慢跨出脚步前进。

当年来台的邻居老伯说.....
因为军人穷, rical and cultural contexts,bsp; 碱洗



    用碱洗蔬菜要先在水中放上一小撮碱粉、无水碳酸钙或冰碱、结晶碳酸钠,搅匀后再放入蔬菜,浸泡5至6分锺,把碱水倒出来,接著用清水漂洗干淨。男子,正小心翼翼的走著。

店名: 蒸宝仔
营业时间:下午至晚间8:00左右
地址:凤山市光华路11号(凤

店名: 肉包明
营业时间:13:00~20:00
地址:彰化市永乐街98号
电话 : (04)7244231
介绍 :
&nbsr />
A偶像、艺人照片

B自拍照

C动漫

D动物相片

E预设桌布

F纯色























A偶像、艺人照片
会将自已喜好的人放在桌面上公开,在个性上也是很外向的,为人态度积极,对于恋爱也是勇往直前。物。
其间也有一般百姓的回答,谁都无法预料自己到老了会怎么样,

那天下了公车,来到板桥的捷运新埔站。

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